The cinematography should be a tribute to the history of photography.

Every framing and composition will come from an artistic point of view. We want to shoot Aron Black digitally with a 65 mm format and an aspect ratio of 2.00:1.

This gives us the ability to open up for beautiful compositions as well as letting us capture the natural light of both exterior and interior shots. A tight color scheme is key to make everything coalesce as a work of art in grade.

Bullet time or Freezing time is a visual effect or visual impression of detaching the time and space of a camera (or viewer) from that of its visible subject. This technique has been used before both in film and commercials, but it's how we want to use it where things becomes interesting and groundbreaking.

When Aron enters the photos we want to employ a relatively new technique that uses the synthesis of real and digital space via projection mapping on moving surfaces. Below is an excellent example by the company Bot and Dolly of how such a transition into the photographs could look.